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Channel: Matthew Bond for Event Magazine | Mail Online
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The Limehouse Golem review: 'Something different'

The rather wonderful Bill Nighy may be many things but he is surely nobody’s idea of a Victorian-era Scotland Yard detective investigating a series of Jack the Ripper-style murders.

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Wind River review: 'Chills to the bone'

There is no surer sign that summer is over, than the arrival of the first wintry thriller. For, as we all know by now, where snow lies deep and daylight is scarce, murder cannot be far away.

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Victoria & Abdul review: 'Funny and undemanding'

For the first 20 minutes, maybe half an hour, what is most notable about Victoria & Abdul is not how classy or well photographed it is but how broadly, even crudely, the comedy is being played.

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Kingsman: The Golden Circle: Juvenile and implausible

Twenty years ago – or very nearly – Guy Ritchie and Matthew Vaughn burst on to the feature- film-making scene with the now iconic thriller Lock, Stock And Two Smoking Barrels.

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Goodbye Christopher Robin is one of the best films of 2017

Watching Goodbye Christopher Robin, two things strike you very quickly. The first is that the depiction of 100 Acre Wood is exactly as surely all Winnie-the-Pooh fans have always imagined.

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Blade Runner 2049 review: 'Really, really disappointing'

At the request of its director, Denis Villeneuve, I am supposed to tell you as little as possible about Blade Runner 2049, the long-awaited sequel to Ridley Scott’s 1982 classic.

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Loving Vincent looks stunning but lacks real colour

Like many, I’d been absolutely astonished by interviews given in advance of the release of Loving Vincent , explaining how the film’s remarkable animation came to be made.

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Thor: Ragnarok: 'One of the best Marvel adaptations ever'

Thor: Ragnarok is the third of the stand-alone films to feature the Marvel Comics’ version of the long-haired, hammer-wielding Norse god of thunder.

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Breathe review: 'As joyous as it is moving'

For me – like millions of others – lifelong immunity to polio involved nothing more than crunching a rather funny-tasting sugar lump.

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Murder On The Orient Express review: 'A period delight'

David Suchet played Hercule Poirot for an extraordinary 24 years, delivering a performance that eventually felt so definitive it was difficult to imagine any other actor in the role.

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Paddington makes a 1st class return in this joyful sequel

Three years ago, Paddington – the first-ever live-action feature film about the small, duffel-coat-wearing bear from darkest Peru – was almost as much a relief as it was a delight.

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Justice League is a poor start to DC Comic's franchise

Remember how The Avengers assembled back in 2012? How Iron Man, Captain America, Hulk and Thor came together for the very first time?

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Battle Of The Sexes makes you ask if we've really moved on

When work began on Battle Of The Sexes, the 2016 US Primaries were just under way and there seemed every chance the film would come out in the same year America got its first woman President.

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Wonder is 'one of the life-affirming treats of the year'

There will be many, surely, who look at the synopsis of Wonder and think exactly what I did: hmm, a film about a young boy with facial deformities growing up in New York?

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Two wonderful performances lend Stronger wider appeal

We’ve already had one film this year about the 2013 Boston Marathon bombing, and I wasn’t really in the mood for another, an uncharitable feeling that I blame on that first film, Patriots Day.

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The Last Jedi Review: Carrie Fisher makes it unmissable

For those of us who were there at the beginning, Star Wars: The Force Awakens – released two years ago today – had a special significance.

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The Greatest Showman review: Underwhelming

Awards season is a strange and mysterious time, as the imminent release of The Greatest Showman makes clear.

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Molly's Game proves too long, too wordy and too complex

A new movie year kicks off tomorrow with the release of Molly’s Game, a film that has already garnered a Golden Globe nomination for its flame-haired star, Jessica Chastain.

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All The Money In The World review: An absorbing film

It’s perfectly possible, even quite likely, that we will see better examples of film-making this year than Ridley Scott’s All The Money In The World.

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Darkest Hour is 'a career-defining triumph for Oldman'

Gary Oldman is one of those actors you could walk past in the street and not recognise – he has a quiet ordinariness that allows him to disappear into the parts he plays.

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